N\u00eb nj\u00eb moment si ai q\u00eb po p\u00ebrjetojm\u00eb, n\u00eb t\u00eb cilin liria e l\u00ebvizjes \u00ebsht\u00eb shum\u00eb e kufizuar p\u00ebr t\u00eb kund\u00ebrshtuar pandemin\u00eb e Koronavirusit, aksesi n\u00eb hap\u00ebsirat e ekspozitave n\u00eb muzet\u00eb e shumt\u00eb italiane shpesh b\u00ebhet e pamundur.<\/p>\n
Ndaj, t\u00eb shijosh kultur\u00ebn dhe bukurin\u00eb e Artit ton\u00eb t\u00eb pamas\u00eb n\u00eb nj\u00eb m\u00ebnyr\u00eb virtuale \u00ebsht\u00eb nj\u00eb privilegj i madh.<\/p>\n
Nd\u00ebr iniciativat e shumta t\u00eb muzeut virtual, do t\u00eb d\u00ebshironim t\u00eb paraqisnim at\u00eb t\u00eb Muzeut t\u00eb Fotografis\u00eb Bashk\u00ebkohore t\u00eb Cinisello Balsamo-Milanos, i cili ju mund\u00ebson t\u00eb eksploroni nj\u00eb p\u00ebrzgjedhje p\u00ebrfaq\u00ebsuese t\u00eb arkivit dhe bibliotek\u00ebs s\u00eb specializuar t\u00eb ruajtur n\u00eb selin\u00eb e Villa Ghirlanda, duke paraqitur tre itinerare me temat e portretit, peizazheve dhe eksperimentimeve abstrakte.<\/p>\n
Seksioni i Portretit paraqet si imazhet fotografike t\u00eb brend\u00ebshme, me v\u00ebmendje n\u00eb detajet m\u00eb t\u00eb vogla p\u00ebrmes p\u00ebrdorimit t\u00eb aft\u00eb t\u00eb dritave t\u00eb studios si\u00e7 \u00ebsht\u00eb ajo e fotografit Arturo Ghergo, ashtu edhe ato nga jasht\u00eb si ajo e fotografit t\u00eb Palermos Letizia Battaglia q\u00eb n\u00eb qytetin e saj p\u00ebrjet\u00ebson shikimin e thell\u00eb t\u00eb nj\u00eb vajze t\u00eb vog\u00ebl q\u00eb mban nj\u00eb tullumbace.<\/p>\n
Seksioni i Peisazhit i kushtohet evolucionit t\u00eb fotografis\u00eb s\u00eb peizazhit dhe t\u00eb p\u00ebrfaq\u00ebsimit t\u00eb v\u00ebndve. Nd\u00ebr imazhet e bukura t\u00eb paraqitura, shohim pamjen e Venecias t\u00eb shnd\u00ebrruar n\u00eb nj\u00eb kartolin\u00eb klasike, apo shkrepjen fotografike t\u00eb f\u00ebmij\u00ebve q\u00eb transformojn\u00eb nj\u00eb hap\u00ebsir\u00eb t\u00eb l\u00ebn\u00eb pas dore periferike n\u00eb nj\u00eb shesh lojrash.<\/p>\n
S\u00eb fundmi, n\u00eb seksionin e Abstraktes gjejm\u00eb eksperimente q\u00eb transformojn\u00eb filmin dhe letr\u00ebn fotografike n\u00eb kanavac\u00eb mbi t\u00eb cil\u00ebn gjurmohen forma dhe shenja nga drita apo edhe imazhe t\u00eb riinterpretimit abstrakt t\u00eb peizazhit natyror t\u00eb shnd\u00ebrruar n\u00eb gjeometri t\u00eb vijave dhe formave.<\/p>\n
T\u00eb tre katet e muzeut mir\u00ebpresin nj\u00eb p\u00ebrzgjedhje prej mbi 100 veprash q\u00eb ofrojn\u00eb nj\u00eb pasqyr\u00eb t\u00eb r\u00ebnd\u00ebsishme t\u00eb evolucionit t\u00eb fotografis\u00eb, ve\u00e7an\u00ebrisht asaj italiane, nga Lufta e Dyt\u00eb Bot\u00ebrore deri m\u00eb sot. Imazhet shoq\u00ebrohen me mbishkrime, sh\u00ebnime, citime dhe hulumtime, disa t\u00eb shfaqura n\u00eb mur, t\u00eb tjer\u00ebt n\u00eb Ekspozit\u00ebn Dixhitale n\u00eb faqen e internetit t\u00eb Muzeut www.mufoco.org\/digitalexhibitions<\/a>.<\/p>\n Me shpres\u00ebn q\u00eb s\u00eb shpejti t\u00eb jemi n\u00eb gjendje t\u00eb vizitojm\u00eb muzeun n\u00eb prani, fal\u00ebnderojm\u00eb drejtimin artistik i cili mund\u00ebsoi ndarjen e disa p\u00ebrmbajtjeve me ne dhe me publikun shqiptar n\u00eb mediat tona sociale.<\/p>\n","protected":false},"excerpt":{"rendered":"N\u00eb nj\u00eb moment si ai q\u00eb po p\u00ebrjetojm\u00eb, n\u00eb t\u00eb cilin liria e l\u00ebvizjes \u00ebsht\u00eb shum\u00eb e kufizuar p\u00ebr t\u00eb kund\u00ebrshtuar pandemin\u00eb e Koronavirusit, aksesi n\u00eb hap\u00ebsirat e ekspozitave n\u00eb muzet\u00eb e shumt\u00eb italiane shpesh b\u00ebhet e pamundur. Ndaj, t\u00eb shijosh kultur\u00ebn dhe bukurin\u00eb e Artit ton\u00eb t\u00eb pamas\u00eb n\u00eb nj\u00eb m\u00ebnyr\u00eb virtuale \u00ebsht\u00eb nj\u00eb […]","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"tags":[],"class_list":["post-1953","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/ambtirana.esteri.it\/sq\/wp-json\/wp\/v2\/posts\/1953","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ambtirana.esteri.it\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ambtirana.esteri.it\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ambtirana.esteri.it\/sq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ambtirana.esteri.it\/sq\/wp-json\/wp\/v2\/comments?post=1953"}],"version-history":[{"count":0,"href":"https:\/\/ambtirana.esteri.it\/sq\/wp-json\/wp\/v2\/posts\/1953\/revisions"}],"wp:attachment":[{"href":"https:\/\/ambtirana.esteri.it\/sq\/wp-json\/wp\/v2\/media?parent=1953"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ambtirana.esteri.it\/sq\/wp-json\/wp\/v2\/tags?post=1953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}