{"id":4670,"date":"2014-09-02T10:34:09","date_gmt":"2014-09-02T08:34:09","guid":{"rendered":"https:\/\/ambtirana.esteri.it\/news\/dall_ambasciata\/2014\/09\/mostra-personale-di-agostino-ferrari-2\/"},"modified":"2014-09-02T10:34:09","modified_gmt":"2014-09-02T08:34:09","slug":"mostra-personale-di-agostino-ferrari-2","status":"publish","type":"post","link":"https:\/\/ambtirana.esteri.it\/sq\/news\/dall_ambasciata\/2014\/09\/mostra-personale-di-agostino-ferrari-2\/","title":{"rendered":"Ekspozita personale e Agostino Ferrari \u201cBrenda-Jasht\u00eb\u201d"},"content":{"rendered":"<p><P>P\u00ebrurimi t\u00eb mart\u00ebn 9 shtator 2014, ora 19<\/P><P>Vijon n\u00eb Tiran\u00eb projekti ekspozitiv p\u00ebr\u00a0 Institutet Italiane t\u00eb Kultur\u00ebs s\u00eb K\u00f6lhn-it, Strasburg-ut, Tiran\u00ebs dhe Zagreb-it, i artit bashk\u00ebkohor KUFIJ, gjuh\u00eb, hap\u00ebsira, sende, njer\u00ebz, ideuar dhe kuruar nga Martina Corgnati, me rastin e semestrit italian t\u00eb presidenc\u00ebs evropiane. Kat\u00ebr jan\u00eb artist\u00ebt italian\u00eb t\u00eb p\u00ebrfshir\u00eb, q\u00eb do t\u00eb ekspozojn\u00eb me radh\u00eb n\u00eb kat\u00ebr Institutet, jan\u00eb: Maria Cristina Carlini, Agostino Ferrari, Agnese Purgatorio dhe Donatella Spaziani.<BR>Pas p\u00ebrurimit t\u00eb projektit me vera e Agnese Purgatorio-s, Instituti Italian i Kultur\u00ebs n\u00eb Tiran\u00eb mir\u00ebpret personalen e Agostino Ferrari-it, kuruar nga Martina Corgnati, q\u00eb do t\u00eb inaugurohet t\u00eb mart\u00ebn 9 shtator 2014 n\u00eb or\u00ebn 19, pran\u00ebs Pallatit t\u00eb Kultur\u00ebs, Sheshi Sk\u00ebnderbej.<BR>Artisti (Milano, 1938) prej vitesh punon mbi tem\u00ebn e shenj\u00ebs, protagonist i nj\u00eb narrative autoreferenziale dhe e t\u00ebra anikonike (pa imazhe) q\u00eb p\u00ebr shum\u00eb vite i \u00ebsht\u00eb p\u00ebrafruar gjuh\u00ebs pa arritur kurr\u00eb t\u00eb shkrihet n\u00eb t\u00eb. \u00cbsht\u00eb ky, n\u00eb fakt, \u201ckufiri\u201d q\u00eb Ferrari koncepton me qart\u00ebsi dhe origjinalitet: at\u00eb mes shenj\u00ebs si element\u00a0 dometh\u00ebn\u00ebs apo eksklusivisht estetik dhe formal, p\u00ebrb\u00ebr\u00ebs thelb\u00ebsor n\u00eb historin\u00eb e abstraksionit dhe t\u00eb kultur\u00ebs artistike bashk\u00ebkohore. N\u00eb pes\u00ebmb\u00ebdhjet\u00eb vitet e fundit, m\u00eb pas, hulumtimet e Ferrari-it zgjerohen edhe n\u00eb\u00a0 \u201ckufirin\u201d mes hap\u00ebsir\u00ebs s\u00eb brendshme n\u00eb tabllo q\u00eb shenja, mjaft dinamike, vazhdimisht p\u00ebrshkon dhe lidh, duke p\u00ebrafruar hap\u00ebsira t\u00eb zeza, t\u00eb m\u00ebtejshme dhe t\u00eb panjohura, me t\u00eb tjera n\u00eb eksperienc\u00ebs dhe t\u00eb v\u00ebshtrimit t\u00eb spektatorit. <BR>N\u00eb k\u00ebt\u00eb cik\u00ebl t\u00eb fundit punimesh, titulluar Brenda-Jasht\u00eb, b\u00ebjn\u00eb pjes\u00eb nj\u00ebzet telajo t\u00eb prezantuara n\u00eb k\u00ebt\u00eb ekspozit\u00eb: vepra t\u00eb realizuara n\u00eb akrilik, teknik\u00eb e p\u00ebrzier dhe r\u00ebr\u00eb, t\u00eb cil\u00ebs i bashkohen disa projekte t\u00eb vogla q\u00eb artisti p\u00ebrdor si pik\u00eb nisje n\u00eb realizimin e \u00e7do vepre. Nga e zeza e thell\u00eb, metafor\u00eb e t\u00eb panjohur\u00ebs por edhe t\u00eb mund\u00ebsive t\u00eb palimituara q\u00eb presin njeriun p\u00ebrtej pragjeve t\u00eb njohjes aktuale, shenja aventurohet n\u00eb hap\u00ebsir\u00ebn ton\u00eb p\u00ebr t\u00eb sygjeruar horizonte t\u00eb reja, protagoniste e v\u00ebrtet\u00eb e nj\u00eb skene t\u00eb formave q\u00eb Lucio Fontana kishte p\u00ebrhapur n\u00eb p\u00eblhur\u00ebn e vet\u00eb telajos nd\u00ebrsa Ferrari ka dashur gjithmon\u00eb ta mbaj\u00eb n\u00eb kuad\u00ebr t\u00eb piktur\u00ebs.<\/P><br \/>\n<P>Agostino Ferrari Nis profesionalisht aktivitetin e tij artistik n\u00eb vitin 1961 me ekspozit\u00ebn e par\u00eb personale pran\u00eb Galleris\u00eb Pater n\u00eb Milano. N\u00eb vitet &#8217;62-&#8217;63, me piktor\u00ebt Vermi, Verga, Sordini, La Pietra dhe me kritikun Alberto Lucia themelon Grupin e Cenobio-s. Nga ky moment fillon k\u00ebrkimi i shenjave t\u00eb Agostino Ferrari-t, q\u00eb do t\u00eb jet\u00eb tema kryesore e gjith\u00eb veprimtaris\u00eb s\u00eb tij deri m\u00eb tani. N\u00eb &#8217;64-&#8217;65 kalon dy sezone n\u00eb Nju Jork, ku njihet me disa artist\u00eb amerikan\u00eb, duke p\u00ebrfshir\u00eb George Segal dhe Claes Oldenburg. N\u00eb 1966, Lucio Fontana paraqet ekspozit\u00ebn e tij personale n\u00eb Milano. N\u00eb vitin 1967 merr \u00c7mimin Mir\u00f2 p\u00ebr vizatim n\u00eb Barcelon\u00eb. M\u00eb von\u00eb, me artist\u00eb t\u00eb tjer\u00eb, ekspozon n\u00eb Kunsthaus n\u00eb Zyrih dhe mban nj\u00eb retrospektiv\u00eb n\u00eb Rotonda della Besana n\u00eb Milano; N\u00eb vitin 1978, hap ekspozit\u00eb n\u00eb Dallas, n\u00eb Contemporany Art Gallery. N\u00eb vitet e m\u00ebvonshme paraqet ekspozita personale dhe n\u00eb grup n\u00eb shum\u00eb qytete t\u00eb Italis\u00eb dhe Evrop\u00ebs. Veprat e tij gjenden n\u00eb shum\u00eb koleksione private dhe publike italiane dhe t\u00eb huaja.<\/P><br \/>\n<P>Agostino Ferrari \u2013 Brenda- Jasht\u00eb<BR>Istituto Italiano di Cultura di Tiran \u2013 Pallati i Kultur\u00ebs, Sheshi Sk\u00ebnderbej<BR>nga 9 shtator deri m\u00eb 26 shtator 2014<\/P><br \/>\n<P><IMG border=\"0\" alt=\"Poster\" src=\"\/resource\/2014\/09\/35281_f_unnamed1.jpg\"><\/P><\/p>\n","protected":false},"excerpt":{"rendered":"P\u00ebrurimi t\u00eb mart\u00ebn 9 shtator 2014, ora 19Vijon n\u00eb Tiran\u00eb projekti ekspozitiv p\u00ebr\u00a0 Institutet Italiane t\u00eb Kultur\u00ebs s\u00eb K\u00f6lhn-it, Strasburg-ut, Tiran\u00ebs dhe Zagreb-it, i artit bashk\u00ebkohor KUFIJ, gjuh\u00eb, hap\u00ebsira, sende, njer\u00ebz, ideuar dhe kuruar nga Martina Corgnati, me rastin e semestrit italian t\u00eb presidenc\u00ebs evropiane. Kat\u00ebr jan\u00eb artist\u00ebt italian\u00eb t\u00eb p\u00ebrfshir\u00eb, q\u00eb do t\u00eb ekspozojn\u00eb [&hellip;]","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"tags":[],"class_list":["post-4670","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/ambtirana.esteri.it\/sq\/wp-json\/wp\/v2\/posts\/4670","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ambtirana.esteri.it\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ambtirana.esteri.it\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ambtirana.esteri.it\/sq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ambtirana.esteri.it\/sq\/wp-json\/wp\/v2\/comments?post=4670"}],"version-history":[{"count":0,"href":"https:\/\/ambtirana.esteri.it\/sq\/wp-json\/wp\/v2\/posts\/4670\/revisions"}],"wp:attachment":[{"href":"https:\/\/ambtirana.esteri.it\/sq\/wp-json\/wp\/v2\/media?parent=4670"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ambtirana.esteri.it\/sq\/wp-json\/wp\/v2\/tags?post=4670"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}