{"id":5141,"date":"2013-03-13T09:15:47","date_gmt":"2013-03-13T08:15:47","guid":{"rendered":"https:\/\/ambtirana.esteri.it\/news\/dall_ambasciata\/2013\/03\/itinerario-arte-italiana-2\/"},"modified":"2013-03-13T09:15:47","modified_gmt":"2013-03-13T08:15:47","slug":"itinerario-arte-italiana-2","status":"publish","type":"post","link":"https:\/\/ambtirana.esteri.it\/sq\/news\/dall_ambasciata\/2013\/03\/itinerario-arte-italiana-2\/","title":{"rendered":"Itinerari i artit italian: E kaluara \u2013 E tashmja\u00a0 \u2013 E ardhmja\u00a0"},"content":{"rendered":"<p><P>E premte 15 mars, ora 20: Giancarlo Norese Grand Show \u2013 Industry bar lounge<BR>E shtun\u00eb 16 mars, ora 11: Hadrianopolis 2005 \u2013 2010 \u2013 Biblioteka Instituti Italian i Kultur\u00ebs<BR>E h\u00ebn\u00eb 18 mars \u2013 E M\u00ebrkur\u00eb 20 mars, ora 11: Seminar mbi Futurizmin \u2013 Universiteti i Arteve<\/P><P>P\u00ebr muajin Mars Instituti Italian i Kultur\u00ebs propozon nj\u00eb itinerar jo t\u00eb zakont\u00eb kronologjik n\u00eb brend\u00ebsi t\u00eb historis\u00eb s\u00eb artit italian. Duke filluar nga bukurit\u00eb e qytetit t\u00eb lasht\u00eb romak t\u00eb Adrianopolit \u2013 i zbuluar nga g\u00ebrmimet arkeologjike t\u00eb Universitetit t\u00eb Macerata-s \u2013 do t\u00eb zhvendoset n\u00eb shekullin XX, kur, i pari, futurizmi italian hetoi n\u00eb shoq\u00ebri dhe shprehu n\u00eb art ndryshimet p\u00ebr\u00e7ar\u00ebse shoq\u00ebrore, politike dhe kulturore t\u00eb Evrop\u00ebs s\u00eb re industriale. Biri i nj\u00eb t\u00eb kaluare perandorake i ngritur n\u00eb mit dhe, n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb, i tentativ\u00ebs p\u00ebr t\u2019u shk\u00ebputur dhe p\u00ebr t\u2019u projektuar drejt lavdive t\u00eb nj\u00eb t\u00eb ardhmeje teknologjike e konsideruar pafund\u00ebsi, njeriu i sot\u00ebm &#8211; \u201ckonsumatori\u201d \u2013 shp\u00ebrthen n\u00eb nj\u00eb art hulumtues ndaj t\u00eb p\u00ebrditshmes kontradiktore. \u00cbsht\u00eb pik\u00ebrisht kjo tema qendrore e \u201cmikroshfaqjes\u201d propozuar nga Giancarlo Norese: me ezaurimin e mitit futurist, artisti i sot\u00ebm \u00ebsht\u00eb artisti i dyshimit; \u00ebsht\u00eb njeriu q\u00eb ngreh me urgjenc\u00eb tem\u00ebn e rikonceptimit t\u00eb modelit ton\u00eb aktual t\u00eb zhvillimit.<\/P><br \/>\n<P>Ekspozita \u201cGiancarlo Norese Grand Show\u201d do t\u00eb p\u00ebrurohet t\u00eb premten 15 mars n\u00eb or\u00ebn 20 pran\u00eb Industry Concept Lounge Bar (ish MOMA, rruga Nikolla Tupe) n\u00eb Tiran\u00eb dhe do t\u00eb q\u00ebndroj\u00eb e hapur deri m\u00eb 15 prill. <BR>Microgallery \u00ebsht\u00eb nj\u00eb kub, nj\u00eb vitrin\u00eb, nj\u00eb hap\u00ebsir\u00eb mendimi q\u00eb u ofrohet artist\u00ebve. Ideja \u00ebsht\u00eb ajo e nj\u00eb galerie n\u00eb miniatur\u00eb, q\u00eb nuk ka pretendime t\u00eb m\u00ebdha por q\u00eb pretendon ide t\u00eb m\u00ebdha. \u00cbsht\u00eb kjo hap\u00ebsira q\u00eb do t\u2019i besohet Giancarlo Norese-s dhe ekspozit\u00ebs s\u00eb tij, pasqyrim i nj\u00eb q\u00ebndrimi bashk\u00ebkohor q\u00eb duhet t\u00eb p\u00ebrballet me nj\u00eb bot\u00eb gjithnj\u00eb e m\u00eb t\u00eb \u201ckonsumuar\u201d q\u00eb na shtyn t\u00eb gjejm\u00eb forc\u00ebn t\u00eb rimendojm\u00eb modelin ton\u00eb t\u00eb zhvillimit. \u201cAt\u00ebher\u00eb, le t\u00eb vendosim bot\u00ebn n\u00eb kuti p\u00ebr t\u00eb nd\u00ebrtuar t\u00eb ardhmen ton\u00eb.\u201d Do t\u00eb vijoj\u00eb takimi me artistin Giancarlo Norese n\u00eb or\u00ebn 19 t\u00eb Shtun\u00ebn 16 Mars, gjithmon\u00eb pran\u00eb Industry bar &#8211; lounge.\u00a0 <BR>Giancarlo Norese (Novi Ligure, Itali, 1963) jeton n\u00eb Milano. I diplomuar n\u00eb Akademin\u00eb e Arteve t\u00eb Brera-s, \u00ebsht\u00eb nj\u00eb nga nism\u00ebtar\u00ebt e Projektit Oreste (Bienalja e 48t\u00eb e Venecias) si dhe editor i publikimeve t\u00eb tij. Q\u00eb nga mesi i viteve \u201980 ka q\u00ebn\u00eb bashk\u00ebpuntor n\u00eb shum\u00eb projekte me pjes\u00ebmarrje, shum\u00eb prej t\u00eb cilave kan\u00eb t\u00eb b\u00ebjn\u00eb me pasigurin\u00eb, metaforat e hap\u00ebsir\u00ebs publike, gabimet e peisazhit, estetik\u00ebn e disfat\u00ebs, bukurin\u00eb e vet-gjeneruar nga rasti. Si artist individual interesohet pas nj\u00eb modeli arti pa form\u00eb. Q\u00eb prej 2004 \u00ebsht\u00eb lektor i Komunikimit Vizual pran\u00eb Akademis\u00eb Carrara t\u00eb Bergamo-s. <\/P><br \/>\n<P>T\u00eb shtun\u00ebn m\u00eb 16 mars, n\u00eb or\u00ebn 11, Biblioteka e Institutit Italian t\u00eb Kultur\u00ebs do t\u00eb mir\u00ebpres\u00eb prezantimin e v\u00ebllimit Hadrianopolis II: Rezultate t\u00eb k\u00ebrkimeve archeologjike 2005-2010 p\u00ebrgatitur nga Roberto Perna dhe Dhimit\u00ebr \u00c7ondi. N\u00eb 2005-\u00ebn Universiteti i Studimeve t\u00eb Macerata-s dhe Instituti Arkeologjik n\u00eb Tiran\u00eb nis\u00ebn nj\u00eb bashk\u00ebpunim shkencor, t\u00eb p\u00ebrfor\u00ebcuar nga dy Protokolle bashk\u00ebpunimi t\u00eb n\u00ebnshkruara nga dy Institutet n\u00eb vitet 2006 e 2009. Ky bashk\u00ebpunim u b\u00eb faktiv fal\u00eb realizimit, sot n\u00ebn drejtimin e R. Perna dhe t\u00eb Dh. \u00c7ondi, t\u00eb ekspeditave arkeologjike n\u00eb qytetin romak t\u00eb Hadrianopolisit (Sofratik\u00eb) dhe n\u00eb t\u00eb gjith\u00eb lugin\u00ebn e Drinos. B\u00ebhet fjal\u00eb p\u00ebr nj\u00eb sit t\u00eb pazakont\u00eb, pasi deri at\u00ebher\u00eb njihej vet\u00ebm Teatri, i zbuluar gjat\u00eb ekspeditave arkeologjike t\u00eb kryera n\u00eb fillimin e viteve \u201980, dhe nj\u00eb pjes\u00eb e nekropolit, q\u00eb i \u00ebsht\u00eb n\u00ebnshtruar hetimive \u2018rast\u00ebsore\u2019. Sot, shtat\u00eb vjet nga fillimi i k\u00ebrkimeve arkeologjike dhe n\u00eb pritje t\u00eb publikimeve t\u00eb detajeve t\u00eb hetimeve stratigrafike, puna q\u00eb paraqitet k\u00ebtu d\u00ebshiron t\u00eb ofroj\u00eb nj\u00eb p\u00ebrmbledhje paraprake t\u00eb t\u00eb dh\u00ebnave kryesore dhe t\u00eb shumta t\u00eb p\u00ebrftuara nga 2005 deri n\u00eb 2010 me q\u00ebllimin p\u00ebr t\u00eb kontribuar, edhe pse n\u00eb kuad\u00ebr t\u00eb nj\u00eb edicioni pregatitor q\u00eb do t\u2019i n\u00ebnshtrohet modifikimeve dhe analizave, n\u00eb nd\u00ebrtimin historik t\u00eb territorit.<\/P><br \/>\n<P>Studiuesi i artit bashk\u00ebkohor Marcello Francolini duke filluar nga e h\u00ebna 18 Mars do t\u00eb mbaj\u00eb nj\u00eb seminari tri ditor mbi Futurizmin p\u00ebr student\u00ebt e Arteve Pamore t\u00eb Universitetit t\u00eb Arteve n\u00eb Tiran\u00eb. Sipas Marcello Francolini-t, Futurizmi \u00ebsht\u00eb nj\u00eb l\u00ebvizje artistike revolucionare q\u00eb ka destabilizuar bazat e piktur\u00ebs, t\u00eb skulptur\u00ebs dhe t\u00eb arkitektur\u00ebs duke u nd\u00ebrthurur me praktika t\u00eb tjera t\u00eb sfer\u00ebs shoq\u00ebrore si arti i praktikuar, teatri, poezia, let\u00ebrsia dhe duke krijuar k\u00ebshtu kuadro t\u00eb rinj t\u00eb nd\u00ebrhyrjes artistike: dizajn, kinema, ambienti, moda, politika, kuzhina\u2026. N\u00eb mas\u00ebn n\u00eb t\u00eb cil\u00ebn eksperimentimi futurist ka ditur t\u00eb propozoj\u00eb nj\u00eb p\u00ebrmbledhje mes artit t\u00eb s\u00eb kaluar\u00ebs dhe instancave t\u00eb s\u00eb tashmes, futurizmi mund t\u00eb kuptohet si \u201corigjina e bashk\u00ebkohores\u201d. Duke synuar nj\u00eb p\u00ebrmbledhje analitike, Marcello Francolini do t\u00eb propozoj\u00eb nj\u00eb analiz\u00eb t\u00eb Futurizmit n\u00ebp\u00ebrmjet tre parametrave: rind\u00ebrtimi Futurist i Universit; aspekti l\u00ebviz\u00ebs n\u00eb Futuriz\u00ebm; aspekti eksperimental n\u00eb Art si vler\u00eb q\u00eb Futurizmi ia ka l\u00ebn\u00eb trash\u00ebgimi pasardh\u00ebsve. N\u00eb hipotez\u00ebn p\u00ebr t\u00eb bashkuar teorin\u00eb me praktik\u00ebn gjat\u00eb seminarit do t\u00eb propozohen momente laboratorike me p\u00ebrfshirjen aktive t\u00eb t\u00eb pranishm\u00ebve n\u00eb \u201ceksperimente futuriste\u201d t\u00eb v\u00ebrteta.\u00a0 <BR>Marcello Francolini, lindur n\u00eb Firence m\u00eb 1984, specializohet n\u00eb Histori dhe Kritik\u00eb Arti pran\u00eb Universitetit t\u00eb Studimeve n\u00eb Salerno. N\u00eb qend\u00ebr t\u00eb hulumtimeve t\u00eb tij nuk \u00ebsht\u00eb vet\u00ebm arti piktoresk dhe ai i skulptur\u00ebs, por edhe arti i t\u00eb shkruarit dhe teatri \u2013 q\u00eb e praktikon prej m\u00eb shum\u00eb se dhjet\u00eb vitesh n\u00eb shoq\u00ebrin\u00eb Teat\u00ebr\/Trillim\/Realitet. \u00cbsht\u00eb diplomuar koh\u00ebt e fundit si artist i mimik\u00ebs n\u00eb Napoli, n\u00eb shkoll\u00ebn e Michele Monetta-s.<\/P><br \/>\n<P>Aktivitetet e Institutit do t\u00eb vijojn\u00eb me nj\u00eb retrospektiv\u00eb kushtuar Federico Fellini-t me rastin e Nj\u00ebzet Vjetorit t\u00eb vdekjes s\u00eb tij. Filmat e t\u00eb martave t\u00eb kinemas\u00eb italiane pran\u00eb Akademis\u00eb s\u00eb Filmit dhe Multimedias Marubi do t\u00eb rinisin m\u00eb 19 mars me filmin Lo sceicco bianco; do t\u00eb vijoj\u00eb, m\u00eb 26 mars, prezantimi i Le tentazioni del Dottor Antonio (nga Boccaccio \u201970) dhe Toby Dammit (nga Tre passi nel delirio). \u00c7do film i p\u00ebrmbledhjes kinematografike do t\u00eb prezantohet figura t\u00eb shquara t\u00eb bot\u00ebs s\u00eb kinemas\u00eb shqiptare, si Piro Milkani, Ilir Butka, Agron Domi, Genc P\u00ebrmeti, Faruk Basha, Elvis Hoxha \u2026dhe t\u00eb student\u00ebve t\u00eb Akademis\u00eb. Retrospektiva do t\u00eb p\u00ebrmbyllet m\u00eb 14 maj, kur do t\u00eb jet\u00eb e ftuar Francesca Fellini, mbes\u00eb dhe trash\u00ebgimtare e regjisorit, p\u00ebr t\u00eb prezantuar pran\u00eb sall\u00ebs N\u00ebn\u00eb Tereza t\u00eb Pallatit t\u00eb Kultur\u00ebs dokumentarin Ricordando Federico Fellini.<\/P><br \/>\n<P>\u00a0<\/P><br \/>\n<P><BR>\u00a0<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"E premte 15 mars, ora 20: Giancarlo Norese Grand Show \u2013 Industry bar loungeE shtun\u00eb 16 mars, ora 11: Hadrianopolis 2005 \u2013 2010 \u2013 Biblioteka Instituti Italian i Kultur\u00ebsE h\u00ebn\u00eb 18 mars \u2013 E M\u00ebrkur\u00eb 20 mars, ora 11: Seminar mbi Futurizmin \u2013 Universiteti i ArteveP\u00ebr muajin Mars Instituti Italian i Kultur\u00ebs propozon nj\u00eb itinerar [&hellip;]","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"tags":[],"class_list":["post-5141","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/ambtirana.esteri.it\/sq\/wp-json\/wp\/v2\/posts\/5141","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ambtirana.esteri.it\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ambtirana.esteri.it\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ambtirana.esteri.it\/sq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ambtirana.esteri.it\/sq\/wp-json\/wp\/v2\/comments?post=5141"}],"version-history":[{"count":0,"href":"https:\/\/ambtirana.esteri.it\/sq\/wp-json\/wp\/v2\/posts\/5141\/revisions"}],"wp:attachment":[{"href":"https:\/\/ambtirana.esteri.it\/sq\/wp-json\/wp\/v2\/media?parent=5141"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ambtirana.esteri.it\/sq\/wp-json\/wp\/v2\/tags?post=5141"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}